Roger Dickinson-Brown, who lives in France and was once a colleague, has apparently fostered a web page called “Verse.Fr” at http://www.verse.fr/index.php which is an on-line anthology of poetry in English, French, and Latin. In his comments on my work he wrote, “Like many virtuosos, Turco suffers from the overflow of his own talent: his poems lack the simplicity of great art. And he publishes so much that his best poems may be overlooked. Nonetheless, Lewis Turco at his best is one of the master craftsmen of his generation.”
I wasn’t aware that I was a “virtuoso” (which is a very nice compliment), or that “great art” required “simplicity” (what’s simple about The Inferno or Paradise Lost, or even merely a Donne poem?). I do publish a lot, though, and the reason is that I write to pass the time away on my journey towards dissolution. If I didn’t write, I’d be bored, and I write a lot of other things besides poetry.
I never consciously intended to write “great” poems, just one or two anthology pieces, maybe, and I think I may have done that. The rest of my work was written just to keep myself amused and, incidentally perhaps, to entertain a few other people along the way. Some of my work, of course, was written to provide examples of poems utilizing the verse forms discussed in the various editions of The Book of Forms, including modern examples of Medieval bardic forms. Others were written as experiments of various kinds, but most were written simply to keep melancholy at bay.
From The Gathering of the Elders and Other Poems by Wesli Court, www.StarCloudPress.com, 2010, ISBN 978-1-932842, trade paperback, $14.95, 115 pages; BUY FROM AMAZON.COM .
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Passing the Time
Roger Dickinson-Brown
Roger Dickinson-Brown, who lives in France and was once a colleague, has apparently fostered a web page called “Verse.Fr” at http://www.verse.fr/index.php which is an on-line anthology of poetry in English, French, and Latin. In his comments on my work he wrote, “Like many virtuosos, Turco suffers from the overflow of his own talent: his poems lack the simplicity of great art. And he publishes so much that his best poems may be overlooked. Nonetheless, Lewis Turco at his best is one of the master craftsmen of his generation.”
I wasn’t aware that I was a “virtuoso” (which is a very nice compliment), or that “great art” required “simplicity” (what’s simple about The Inferno or Paradise Lost, or even merely a Donne poem?). I do publish a lot, though, and the reason is that I write to pass the time away on my journey towards dissolution. If I didn’t write, I’d be bored, and I write a lot of other things besides poetry.
I never consciously intended to write “great” poems, just one or two anthology pieces, maybe, and I think I may have done that. The rest of my work was written just to keep myself amused and, incidentally perhaps, to entertain a few other people along the way. Some of my work, of course, was written to provide examples of poems utilizing the verse forms discussed in the various editions of The Book of Forms, including modern examples of Medieval bardic forms. Others were written as experiments of various kinds, but most were written simply to keep melancholy at bay.
From The Gathering of the Elders and Other Poems by Wesli Court, www.StarCloudPress.com, 2010, ISBN 978-1-932842, trade paperback, $14.95, 115 pages; BUY FROM AMAZON.COM .
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The Virginia Quarterly Review "The Mutable Past," a memoir collected in FANTASEERS, A BOOK OF MEMORIES by Lewis Turco of growing up in the 1950s in Meriden, Connecticut, (Scotsdale AZ: Star Cloud Press, 2005).
The Tower Journal Two short stories, "The Demon in the Tree" and "The Substitute Wife," in the spring 2009 issue of Tower Journal.
The Tower Journal A story, "The Car," and two poems, "Fathers" and "Year by Year"
The Tower Journal Memoir, “Pookah, The Greatest Cat in the History of the World,” Spring-Summer 2010.
The Michigan Quarterly Review This is the first terzanelle ever published, in "The Michigan Quarterly Review" in 1965. It has been gathered in THE COLLECTED LYRICS OF LEWIS TURCO/WESLI COURT, 1953-2004 (www.StarCloudPress.com).
The Gawain Poet An essay on the putative medieval author of "Gawain and the Green Knight" in the summer 2010 issue of Per Contra.
The Black Death Bryan Bridges' interesting article on the villanelle and the terzanelle with "The Black Death" by Wesli Court as an example of the latter.
Seniority: Six Shakespearian Tailgaters This is a part of a series called "Gnomes" others of which have appeared in TRINACRIA and on the blog POETICS AND RUMINATIONS.
Reinventing the Wheel, Modern Poems in Classical Meters An essay with illustrations of poems written in classical meters together with a "Table of Meters" and "The Rules of Scansion" in the Summer 2009 issue of Trellis Magazine
Passing the Time
Roger Dickinson-Brown, who lives in France and was once a colleague, has apparently fostered a web page called “Verse.Fr” at http://www.verse.fr/index.php which is an on-line anthology of poetry in English, French, and Latin. In his comments on my work he wrote, “Like many virtuosos, Turco suffers from the overflow of his own talent: his poems lack the simplicity of great art. And he publishes so much that his best poems may be overlooked. Nonetheless, Lewis Turco at his best is one of the master craftsmen of his generation.”
I wasn’t aware that I was a “virtuoso” (which is a very nice compliment), or that “great art” required “simplicity” (what’s simple about The Inferno or Paradise Lost, or even merely a Donne poem?). I do publish a lot, though, and the reason is that I write to pass the time away on my journey towards dissolution. If I didn’t write, I’d be bored, and I write a lot of other things besides poetry.
I never consciously intended to write “great” poems, just one or two anthology pieces, maybe, and I think I may have done that. The rest of my work was written just to keep myself amused and, incidentally perhaps, to entertain a few other people along the way. Some of my work, of course, was written to provide examples of poems utilizing the verse forms discussed in the various editions of The Book of Forms, including modern examples of Medieval bardic forms. Others were written as experiments of various kinds, but most were written simply to keep melancholy at bay.
PASSING THE TIME
Where am I going? How do I know where?
Why do I write as I saunter along,
passing the time on the road to nowhere?
I’m humming a tune, mumbling a song
to kill as much time as I sensibly can —
that’s why I write as I wander along
making the syllables skip and scan,
making the language dance and go deep
to kill as much time as I sensibly can —
to liven the senses before I sleep,
slipping into that ultimate slumber.
Making the language dance and go deep
by counting these syllables without number
and making them count is my chosen role.
Slipping into the final slumber
is, of course, my ultimate goal.
Where am I going? How can I know where?
Making time count is my chosen role
while passing time on this road to nowhere.
Listen to Lewis Turco Read his poem, Passing the Time
From The Gathering of the Elders and Other Poems by Wesli Court, www.StarCloudPress.com, 2010, ISBN 978-1-932842, trade paperback, $14.95, 115 pages; BUY FROM AMAZON.COM .
December 15, 2011 in Commentary, Literature, Poems, Poetry, Terzanelles | Permalink
Tags: melancholy, pastime, poetry, writing